An unpublished catalogue of the A. H. Church collection of Japanese sword-guards (tsuba) by Albert James Koop.
Flush inlay is a development of incrustation, and much of it seems to have been produced in quantities at an early date (15th century?) at Fushimi, a suburb of Kiōto where Hideyoshi, the great Taikō, erected the magnificent Juraku Palace, taking up his residence there in 1587. The names Yoshirō-zōgan and Fushimi-zōgan are now indifferently applied to this early inlay work (and its later imitations), the former term deriving from an oft-recurring signature of one Koike Yoshirō Naomasa Idzumi-no-kami of Fushimi, a stirrup-inlayer of 16th-century date who would appear to have founded a school of tsuba-inlayers.
After the downfall of Hideyoshi’s party in 1615, many of the Fushimi inlayers migrated to Kaga province at the invitation of the powerful Mayeda daimiō, and their subsequent history is continued under Group XXXII.
A well marked type included in the present group goes by the name of Mon-zukashi (“badge piercing”). In this the iron guard is symmetrically pierced with circular holes some half an inch wide, In which are inserted brass (less commonly copper) plugs, themselves either perforated and engraved, or else modelled or inlaid, to represent heraldic badges (mon); the rest of the ground is covered with flush inlay of brass, copper or silver, usually in conventional foliage diapers (water-weeds?). Signatures are very rare.
Yoshirō and Fushimi
Mon-zukashi
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