An unpublished catalogue of the A. H. Church collection of Japanese sword-guards (tsuba) by Albert James Koop.
About the Ōnin era (1467-8), according to some authorities, the older types of guard in plain iron began to take on an enrichment of flat brass incrustation, mainly in designs of heraldic and floral motives. At any rate, the name Ōnin-tsuba is given to an early type in thin iron with slightly raised brass inlay of natural objects simply and even crudely designed and intermixed with heraldic badges.
To this were later added silver and copper and the designs became more varied and refined, with engraving finish. Such guards are unsigned until towards 1600, and then only some of the more elaborate productions bear signatures, which usually indicate the artist’s residence in Kiōto (Heianjō) or Nishijin, one of its districts, whence the term Heianjō-zōgan.
What, however, looks like the most primitive of all types of incrustation has not as yet been given any special Japanese name, and one may suggest for it the provisional label of “nail-head” incrustation. It is a coarse sort of pique work, with rows of brass nails or pins hammered into the thin iron ground, and may be accompanied by piercings which are outlined on the field of the guard by hotsuri-zōgan or encrusted brass wires.
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