Explore the early development of Indian art, from the artefacts of the Indus Valley to the Hindu and Buddhist sculpture of north India and Gandhara.
Harle, J. C., and Andrew Topsfield, Indian Art in the Ashmolean Museum (Oxford: Ashmolean Museum, 1987), no. 5 on pp. 5-6, p. 15, pl. 1 (colour) & p. 5
Boardman, John, The Diffusion of Classical Art in Antiquity, The A. W. Mellon Lectures in the Fine Arts (London: Thames and Hudson, 1994), 149, fig.4.95
Stein, Aurel, ‘Archaeological Notes from the Hindukush Region’, Journal of the Royal Asiatic Society of Great Britain and Ireland, 1/April, (April 1944), pp. 14-16, pl. III a
Cambridge: Fitzwilliam Museum, 6 October-13 December 1992, The Crossroads of Asia: Transformation in Image and Symbol in the Art of Ancient Afghanistan and Pakistan, Elizabeth Errington, Joe Cribb, and Maggie Claringbull, eds, 90 (Cambridge: Ancient India and Iran Trust, 1992), No.95
Vienna: Kunsthistorisches Museum, 2 April-16 July 1995, Buddha in Indien: Die frühindische Skulptur von König Asoka bis zur Guptazeit, Deborah E. Klimburg-Salter, ed. (Vienna: Kunsthistorisches Museum and Milan: Skira, 1995), no. 9 on p. 64, illus. p. 65 fig. 9
Salomon, Richard, ‘An Inscribed Silver Buddhist Reliquary of the Time of King Kharaosta and Prince Indravarman’, Journal of the American Oriental Society, 116/3, (1996), pp. 438-439, illus. p. 439 fig.23
Jettmar, Karl, ‘Rock Carvings and Stray Finds in the Mountains of North Pakistan: Archaeology before Excavation’, Maurizio Taddei, ed., South Asian Archaeology: Papers from the Fourth International Conference of the Association of South Asian Archaeologists in Western Europe, 2 vols, Series minor: Istituto universitario orientale, Seminario di studi asiatici, 6 (Naples: Istituto universitario orientale, 1979), ii, 917-926
Litvinsky, B. A., Copper Cauldrons from the Indian Subcontinent and Pamirs: The Ancient Connection of the Two Regions
Litvinskij, Boris A., ‘Copper Cauldrons from Gilgit and Central Asia. More about Saka and Dards and Related Problems’, East and West, 52/1-4, (2002), 127-149
Litvinskij, B.A., ‘Pamir und Gilgit, kulturhistorische Verbindungen’, ed. Karl Jettmar, Antiquities of Northern Pakistan: Reports and Studies, ii, 4 vols (Mainz: Verlag Philipp von Zabern, 1993), ii, 141-149
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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