Room 12 | India 2500 BC-AD 600 gallery
Explore the early development of Indian art, from the artefacts of the Indus Valley to the Hindu and Buddhist sculpture of north India and Gandhara.
Galleries : 31 objects
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Relief depicting two deities with a staff, purse, and cornucopia
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Description
Seated like a Roman tutelary couple, the Indian wealth deity Panchika holds a purse and staff (now broken), while his consort Hariti holds a cornucopia. The latter feature suggests that this pair of protective deities may otherwise be Kubera and Ardochsho, Indian and Iranian deities of prosperity.
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Details
- Associated place
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Asia › Pakistan › North-West Frontier Province › Charsadda district (possible place of creation)
- Date
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2nd - 3rd century AD (AD 101 - 300)
Kushan Period (AD 50 - 600)
- Material and technique
- grey schist
- Dimensions
- 18 x 17 x 4.5 cm max. (height x width x depth)
- Material index
- Technique index
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- No. of items
- 1
- Credit line
- Presented by Major P. C. Hailey, 1962.
- Accession no.
- EA1962.42
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Further reading
Harle, J. C., and Andrew Topsfield, Indian Art in the Ashmolean Museum (Oxford: Ashmolean Museum, 1987), no. 18 on p. 15, pp. 5 & 11, illus. p. 15
Hallade, Madeleine, The Gandhara Style and the Evolution of Buddhist Art, trans. Diana Imber, photographer Hans Hinz (London: Thames and Hudson, 1968), p. xi, pp. 95-96, illus. p. 96 pl. 70
Location
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Ground floor | Room 12 | India to 600
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Ground floor | Room 12 | India to 600
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
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Indian Art in the Ashmolean Museum
In this attractive sculpture, Pāncika and Hārītī are seated together in a pose probably imitative of Roman tutelary couples. They are, in fact, Indian folk gods, he now dressed in a Kusāna tunic but with a Greek style cloak thrown over his shoulders, while Hārītī’s dress is certainly non-Indian. Her crown in particular suggests a western origin. The cornucopia, with an animal’s head at the base suggesting a rhyton [see EA1963.28], is quite non-Indian. Her crown in particular suggests a western origin. In fact, to pious Buddhists and caste Hindus alike, animal horn would have been anathema but they probably had no idea of the origin of the horn of plenty.
Pāñcika (sometimes conflated with Kubera) is associated with wealth. He holds a purse (part of his staff is missing) and coins piled up below the throne. Hārītī, who is worshipped for the protection of children [see EA1971.36] is here depicted as a goddess of plenty.
Notice
Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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