Liu Wenxi was in the first group of students to learn a new figure painting style using wide lines and ink texture variation introduced in the early 1950s at the East China branch of the National Academy of Art. The style combined the strong outlines of Soviet heroic figure painting with the inflective possibilities of Chinese brush and ink. In the later part of the Cultural Revolution Liu served on the painting correction group for the 1973 national art exhibition, helping to create new versions of works submitted with correct political content but inferior artistic skill.
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
© 2013 University of Oxford - Ashmolean Museum