The composition of this print derives from an early sketch (LI2007.44). The tyre marks on the right are imprinted on a patch of seeds at the roadside, in the same way that Xu Bing’s early drawings refer to rather than depict the presence of people in a landscape. The whole, however, shows a different way of thinking about landscape representation and a new departure in Xu Bing’s work.
Oxford: Ashmolean Museum, 28 February-19 May 2013, Xu Bing Landscape/Landscript: Nature as Language in the Art of Xu Bing, Shelagh Vainker, ed. (Oxford: Ashmolean Museum, 2013), no. 59 on p. 97, pp. 22, 77, 80, 81, illus. p. 22 fig. 7 & p. 97 fig. 59
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