The composition of this design, with the straight cropped tree trunks on the right and a sapling in the foreground, displays the strong influence of Nihonga ‘Japanese style’ painting, in particular a screen painting by Hishida Shunsō from 1909, entitled Fallen Leaves (Ochiba). Highly sophisticated use of different colour threads, all extremely fine, is made to give a sense of depth and perspective. (Exhibition number 15)
Oxford: Ashmolean Museum, 9 November 2012-27 January 2013, Threads of Silk and Gold: Ornamental Textiles from Meiji Japan, Clare Pollard, ed. (Oxford: Ashmolean Museum, 2012), no. 15 p. 108, illus. p. 108
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