This panel by the Kyoto silk manufacturer Nishimura Sōzaemon makes effective use of minimal stitch work and a deliberately restricted colour palette. The source of the design is unknown, but it may have been inspired by the work of the oil painter Yamamoto Hōsui, who made a series of paintings in the early 1890s that explored the effects of light and shadow upon a woman within a Japanese interior at night-time. (Exhibition number 36)
Oxford: Ashmolean Museum, 9 November 2012-27 January 2013, Threads of Silk and Gold: Ornamental Textiles from Meiji Japan, Clare Pollard, ed. (Oxford: Ashmolean Museum, 2012), no. 36 p. 154, illus. p. 155
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