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Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Japanese Paintings in the Ashmolean Museum

A catalogue of the Ashmolean's collection of Japanese paintings by Janice Katz (published Oxford, 2003).

Japanese Paintings in the Ashmolean Museum by Janice Katz

Select bibliography

Adams, Celeste, Heart Mountains and Human Ways, Japanese Landscape and Figure Painting: A Loan Exhibition from the University of Michigan Museum of Art. Houston: Museum of Fine Arts, 1983.

Addiss. Stephen, ed.. Japanese Quest for a New Vision: The Impact of Visiting Chinese Painters, 1600-1900: Selections from the Hutchinson Collection at the Spencer Museum of Art. Lawrence: Spencer Museum of Art, University of Kansas. 1986.

Akiyama, Ken, and Taguchi, Eiichi, eds, Gōka ‘Genji-e' no sekai: Genji monogatari. Tokyo: Gakushū kenkyūsha, 1999.

Amagasaki sōgō bunka sentaa, Goshun ten. Amagasaki: Amagasaki sōgō bunka sentaa,1979.

Araki, Tadashi, ed., Dai Nihon shoga meika taikan, 4 vols. Tokyo: Daiichi Shobō, 1975.

Asaoka, Okisada, Zōtei koga bikō. Kyoto: Shibunkaku, 1970.

Berry. Paul, Unexplored Avenues of Japanese Painting: the Hakutakuan Collection. Seattle: University of Washington Press, 2001.

Cahill, James, The Distant Mountains, Chinese Painting of the Late Ming Dynasty, 1570-1644. New York and Tokyo: Weatherhill, 1982.

-       , Parting at the Shore: Chinese Painting of the Early and Middle Ming Dynasty, 1368-1580. New York: Weatherhill, 1978.

-       , Scholar-painters of Japan: The Nanga School. New York: Asia Society, Inc., 1972.

Calza, Gian Carlo ed., with the assistance of John T. Carpenter, Hokusai paintings: Selected Essays. Venice: The International Hokusai Research Centre, University of Venice, 1994.

Chiba City Art Museum (Chiba-shi bijutsukan), Edo no ikoku shumi: nanpinfū dairyūkū: shinseiki, shisei shikō 80-shūnen kinen. Chiba: Chiba-shi bijutsukan, 2001.

-       , Hishikawa Moronobu ten, Chiba-shi Bijutsukan kaikan goshūnen kinen. Chiba: Chiba-shi bijutsukan, 2000.

Clark. Timothy T., Ukiyo-e Paintings in the British Museum. Washington, DC: Smithsonian Institution Press, 1992.

Conant, Ellen P.. in collaboration with Steven D. Owyoung and J. Thomas Rimer. Nihonga, Transcending the Past: Japanese-style Painting, 1868-1968. St Louis, MO: St Louis Art Museum: Tokyo: Japan Foundation, 1995.

Doi, Tsugiyoshi, ‘Mori-ha zakkō’, in Kinsei hihon kaiga no kenkyū. Tokyo: Bijutsu shup-pansha. 1970, 648-56.

Earle, Joe, Shibata Zeshin: Masterpieces of Japanese Lacquer from the Khalili Collection. Edinburgh: National Museums of Scotland: London: Kibo Foundation, 1997.

Forrer, Matthi, with texts by Edmond de Goncourt. Hokusai. New York: Rizzoli, 1988.

Genshoku ukiyo-e daihayakka jiten henshū iinkai, ed., Genshoku ukiyo-e dai hyakka jiten. II vols. Tokyo: Taishūkan shoten, 1980-82.

Gotō Museum (Gotō bijutsukan). Teikayō: Tokubetsuten. Tokyo: Gotō bijutsukan, 1987.

Graham, Patricia, 'Ōkubo Shibutsu, Vagabond Poet of Edo, and His Nanga Painter-friends’. Kaikodo Journal, vol. 20 (Autumn 2001), 63-73.

Graham, Patricia Jane, 'Yamamoto Baiitsu: His life, literati pursuits, and related paint­ings’. Ph.D. thesis, University of Kansas, 1983.

Guth, Christine, Japanese Art of the Edo Period. London: Weidenfeld and Nicolson., 1996.

Harper, Thomas James, 'Motoori Norinaga’s criticism of the Genji Monogatari: A study of the background and critical content of his Genji Monogatari Tama no Ogushi’. Ph.D. thesis, The University of Michigan, 1971.

Hillier, Jack Ronald, The Art of the Japanese Book, 2 vols. London: published for Sotheby's Publications by Philip Wilson Publishers, 1987.

-       , The Uninhibited Brush: Japanese art in the Shijō Style. London: Hugh M. Moss (Publishing) Ltd, 1974.

-       , The Harari Collection of Japanese paintings and drawings, 3 vols. London: Lund Humphries, 1970-73.

-       , The Harari Collection of Japanese Paintings and Drawings: An Exhibition Organized by the Arts Council at the Victoria and Albert Museum, 14 January-22 February 1970. London: Arts Council of Great Britain. 1970.

-       , ‘Nanga paintings in the Ashmolean Museum, Oxford’ Oriental Art 13, no. 3 (1967) 161-9.

Hiryama, Ikuo and Kobayashi, Tadashi, eds. Hizō nihon bijutsu taikan (Japanese Art: The Great European Collections), 12 vols. Tokyo: Kddansha, 1992-4.

Honolulu Academy of Arts, Exquisite Visions: Rimpa Paintings from Japan. Honolulu: The Honolulu Academy of Arts, 1980.

Hori, Chokkaku, Fusō meigaden. Tokyo: Tetsugaku shoin, 1899.

Hosono, Masanobu, ed, Kindai kaiga no reimei: Bunchō/Kazan to yōfūga, Nihon bijutsu zenshū vol. 25. Tokyo: Gakushū Kenkyusha, 1979.

Hyōgo Prefectural Museum of History (Hyōgo kenritsu rekishi hakubutsukan), Maruyama Ōkyo ten: botsugo nihyakunen kinen. Hyōgo: Hyōgo kenritsu rekishi hakubutsukan, 1994.

Ikeda Yasaburō, Noma Kōshin and Minakami Tsutomu, eds, Nihon meisho fūzoku zue, 19 vols. Tokyo: Kadokawa shoten, 1979-88.

Impey, Oliver R. The Art of the Japanese Folding Screen: The Collections of the Victoria and Albert Museum and the Ashmolean Museum. Oxford: Ashmolean Museum, 1997.

Itabashi Art Museum (Itabashi kuritsu bijutsukan), Shibata Zeshin ten: bakumatsu meiji no seika kaiga to shikkō no sekai. Tokyo: Itabashi kuritsu bijutsukan, 1980.

Izumi, Kan’ichi. Kanazawa jō to Yamamoto Baiitsu no sokuseki. Takaoka: Iwanami bukku saabisu sentaa, 1998.

Kansai University Library (Kansai daigaku toshokan), Kansai daigaku shozō, Osaka gadan mokuroku (A Catalogue of the Japanese-style Paintings of Osaka Painting Circles in the Kansai University Library). Suita, Osaka: Kansai daigaku toshokan, 1997.

Kimura, Shigekazu, Gajō yōryaku, kinsei itsu-jin gashi. Nihon kaigaron taisei, vol. 10. Tokyo: Perikansha.1998.

Kobayashi, Tadashi, Edo no gakatchi. Tokyo: Perikansha, 1990.

- , Edo kaiga shiron. Tokyo: Ruri shobō,1983.

- , Nihon bijutsuin, Gendai genshoku nihon no bijutsu, vol. 2. Tokyo: Shōgakkan, 1979.

Kobayashi, Tadashi, and Kōno Motoaki, eds, Bunjin shoga: yoriai shogajō, Edo meisaku gajō zenshū, vol.10 Tokyo, Osaka: Shinshindō, 1997.

-       , Ōkyo, Rosetsu, Jakuchū: Maruyama-Shijō ha, Edo meisaku gajō zenshū, vol. 7. Tokyo, Osaka: Shinshindō, 1996.

Kōno, Motoaki, Tani Bunchō, Nihon no bijut­su, no. 257. Tokyo: Shibundō, 1987.

Kyoto Municipal Museum of Art (Kyoto-shi bijutsukan), Kyoto gadan, Edo Matsu Meiji no gajintachi. Kyoto: Aato shuppansha, 1977.

Kyoto National Museum (Kyoto kokuritsu hakubusukan), ed., Jakuchū: Bunkazai hogohō 50-nen kinen jigyō tokubetsu tenrankai, botsugo 200-nen. Kyoto: Kyoto kokuritsu hakubutsukan, 2000.

Link, Howard A., et al., The art of Shibata Zeshin: the Mr and Mrs James E. O’Brien Collection at the Honolulu Academy of Arts. London: R. G. Sawers Pub.: Honolulu: Honolulu Academy of Arts, 1979.

Matsuo Katsuhiko. ‘Kinsei Naniwa gadan no ichigawamen, Moriha josetsu’, Kobijutsu 49 (Sept. 1975), 42-51.

McMullen, James, Idealism, Protest, and the Tale of Genji: The Confucianism of Kumazawa Banzan (1619-91). Oxford: Clarendon Press, 1999.

Minamoto, Toyomune and Sasaki, Jōhei, eds, Kyoto gadan no jūkyūseiki, vol. 2 Bunka Bunseiki. Kyoto: Shibunkaku shuppan, 1994.

Mitchell, C. H., The Illustrated Books of the Nanga, Maruyama, Shijo and Other Related Schools of Japan: A Bibliography. Los Angeles: Dawson’s Bookshop, 1972.

Miyeko Murase, Iconography of the Tale of Genji, Genji Monogatari ekotoba. New York, Tokyo: Weatherhill, 1983.

Morioka, Michiyo, and Paul Berry, Modern Masters of Kyoto: The Transformation of Modern Painting Traditions, Nihonga from the Griffith and Patricia Way Collection. Seattle: Seattle Art Museum, 1999.

Morris, Ivan, The Pillow Book of Sei Shōnagon. New York: Columbia University Press, 1967.

Morrison, Arthur, The Painters of Japan. London: T. C. & E. C. Jack, 1911.

Murashige, Yasushi, ed., Rinpa, 5 vols. Kyoto: Shikōsha, 1989-92.

Museum of Kyoto (Kyoto bunka hakubutsukan), Miyako no eshi wa hyakka ryōran: Heian jinbutsushi ni mint Edo jidai no kyōto gadan: Kyōto bunka hakubutsukan kaikan jisshunen kinen tokubetsuten. Kyoto: Kyoto bunka hakubutsukan, 1998.

Nagoya City Museum (Nagoya-shi hakubut­sukan), Nangaka Yamamoto Baiitsu: karei naru kachō sansui no fūga: tokubetsuten. Nagoya: Nagoya-shi hakubutsukan, 1998.

-       , Owari no nanga. Nagoya: Nagoya-shi hakubutsukan, 1981.

Onomichi Municipal Museum of Art (Onomichi shiritsu bijutsukan), Hirada Gyokuon ten: saikō no gaka. Onomichi: Onomichi shiritsu bjutsukan, 1998.

Osaka Municipal Museum of Art (Osaka shiritsu bijutsukan), Kinsei Osaka gadan. Kyoto: Dōhōsha, 1983.

Rosenfield, John M., ‘Japanese studio practice: The Tosa family and the Imperial Painting Office in the seventeenth century'. In The Artist’s Workshop. Studies in the History of Art, no. 38, ed. Peter Lukehart. Washington, DC: Center for Advanced Studies in the Visual Arts, National Gallery of Art, 1993, 79-102.

Sakai City Museum (Sakai-shi hakubutsukan), Kinsei no Osaka gajin, sansui, fūkei, meisho. Sakai: Sakai-shi hakubutsukan, 1992.

St Louis Art Museum, Ōkyo and the Maruyama-Shijō School of Japanese Painting. St Louis: St Louis Art Museum, 1980.

Sasaki, Jōhei, Koga sōran. Maruyama Shijō-ha. Tokyo: Kokusho kankōkai, 2000.

-       , Maruyama Ōkyo kenkyū, 2 vols. Tokyo: Chūō kōron bijutsu shuppan, 1996.

Screech, Timon, The Shogun’s Painted Culture: Fear and Creativity in the Japanese States, 1760-1829. London: Reaktion Books, 2000.

Seidensticker, Edward G., Murasaki Shikubu: The Tale of Genji. London: Seeker and Warburg, 1976.

Shimonoseki Art Museum (Shimonoseki shiritsu bijutsukan), Oda Kaisen ten. Shimonoseki: Shimonoseki shiritsu bijutsukan, 1995.

Sorimachi, Shigeo, Nihon eiribon oyobi ehon mokuroku: airurandokoku daburin chesutaa biitii raiburarii zō (Japanese Illustrated Books and Manuscripts of the Chester Beatty Library, Dublin, Ireland). Tokyo: Kōbunsō, 1979.

Stanley-Baker, Joan, ‘Finger painting in Tokugawa Japan’, in Discarding the Brush, Gao Qipei (1660-1734) and the Art of Chinese Fingerpainting. Amsterdam: Rijksmuseum, 1992.

-       , The Transmission of Chinese Idealist Painting to Japan: Notes on the Early Phase (1661-1799). Ann Arbor: Center for Japanese Studies, University of Michigan, 1991.

Suntory Art Museum (Santorii bijutsukan). Kohitsu tekagami to gajō no meihin, kinsei nihon no aato arubamu. Tokyo: Santorii bijut­sukan, 2001.

-       , Itsuō bijutsukan meihinten Buson to Goshun. Tokyo: Santorii bijutsukan, 1981.

Suzuki, Kei, Chūgoku kaiga sōgō zuroku, 5 vols Tokyo: Tokyo daigaku shuppankai, 1983.

Takei, Sōgen, Maruyamaha shita-e shū, 5 vols. Kyoto: Mitsumura suiko shoin, 1997.

Takeuchi, Melinda, Taiga’s True Views: The Language of Landscape Painting in Eighteenth- Century Japan. Stanford: Stanford University Press, 1992.

Tochigi Prefectural Museum of Fine Art (Tochigi kenritsu bijutsukan), Shazanrō Tani Bunchō. Tochigi: Tochigi kenritsu bijut­sukan, 1979.

Tōhō, Shoin, ed., Nihonga taisei, 16 vols. Tokyo: Tōhō Shoin, 1931-4.

Tokyo National Museum (Tokyo kokuritsu hakubutsukan), ed., Kindai Nihon bijutsu no kiseki: Nihon Bijutsuin sōritsu 100-shūnen kinen tokubetsuten. Tokyo: Nihon Bijutsuin, 1998.

Tokyo National Museum (Tokyo kokuritsu hakubutsukan) and Kyoto National Museum (Kyoto kokuritsu hakubutsukan), Sesshū: Botsugo gohyakunen tokubetsuten (Sesshū, Master of Ink and Brush: 500th Anniversary Exhibition). Tokyo: Mainichi shinbunsha, 2002.

Umezawa, Seiichi, Nihon nanga shi. Tokyo: Tōhō Shoin, 1929.

Weston, Victoria Louise, ‘Modernization in Japanese-style Painting: Yokoyama Taikan (1868-1958) and the mōrōtai style'. Ph. D. thesis, University of Michigan, 1991.

Woodson, Yoko, ‘Traveling Bunjin painters and their patrons: Economic life, style and art of Rai Sanyō and Tanomura Chikuden'. Ph.D. thesis, University of California, Berkeley, 1983.

Wylie, Hugh, 'Nanga painting treatises of nineteenth-century Japan: Translations, commentary, and analysis’. Ph.D. thesis, University of Kansas, 1991.

Yamakawa, Takeshi, Ōkyo Goshun, Nihon bijutsu kaiga zenshū, vol. 22. Tokyo: Shūeisha. 1977.

-       , Nanga to shaseiga, Genshoku nihon no bijutsu, vol. 18. Tokyo: Shōgakkan, 1969.

Yamanaka, Yutaka, Heian jinbutsushi. Tokyo: Tokyo daigaku, 1974.

Yamane, Yūzō, ed., Rimpa kaiga zenshū, 5 vols. Tokyo: Nihon Keizai Shinbunsha, 1977-1980.

Yamane, Yūzō, Naitō, Masato, and Timothy Clark: with contributions by Masaaki Arakawa. Rimpa Art: From the Idemitsu Collection, Tokyo. London: British Museum Press, 1998.

Yamanouchi, Chōzō, Nihon Nangashi. Tokyo: Ruri shobō. 1981.

Yasumura, Toshinobu, 'Sō Shiseki during the Hōreki era (1751-1764) (Horeki nenkan no Sō Shiseki)', Kokka 1122 (1989), 38-47.

Yokoyama Taikan kinenkan, Yokoyama Taikan, 6 vols. Tokyo: Dai Nihon kaiga, 1993.

Yoshida, Toshihide, ‘Yamamoto Baiitsu kenkyū josetsu’, in Nagoya-shi hakubutsukan kenkyū kiyd, vol. 2, 1979, 15-32.

Yoshizawa, Chū, Nanga sansui, Nihon byōbu-e shūsei, vol. 3. Tokyo: Kōronsha, 1979.

-       , Nihon no Nanga, Suiboku bijutsu taikei, supplementary vol. 1. Tokyo: Kōronsha, 1976.

Yoshizawa, Chū and Yamakawa, Takeshi, Nanga to shaseiga. Genshoku nihon no bijutsu, vol. 18. Tokyo: Shōgakkan, 1969.

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