The Newberry Collection of Islamic Embroideries
An unpublished catalogue of the Ashmolean’s collection of Islamic embroideries from Egyptologist Percy Newberry, by Ruth Barnes and Marianne Ellis.
Publications online: 328 objects
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Roundel textile fragment with interlace and lozenges
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Literature notes
A large roundel is divided into three bands separated by a single line of interlace. The bands have a trellis design filled with lozenges, some of which are arranged as six-petalled rosettes.
Very few stitches remain, but the design is clearly visible because of the former quilting. -
Details
- Associated place
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Near East (place of creation)
- Date
- 10th - 15th century AD
- Material and technique
- linen, embroidered with blue silk; with stitching in blue flax, probably the remains of quilting
- Dimensions
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20 x 19.5 cm (length x width)
along length/width 20 / 20 threads/cm (thread count)
ground fabric 0.05 cm (thread diameter)
additional fibre, embroidery 0.01 cm (thread diameter)
- Material index
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organic › animal › animal product › silk,
- Technique index
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woven › plain woven,assembled › woven › plain woven,
- Object type index
- No. of items
- 1
- Credit line
- Presented by Professor Percy Newberry, 1941.
- Accession no.
- EA1984.132
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Further reading
Barnes, Ruth and Marianne Ellis, ‘The Newberry Collection of Islamic Embroideries’, 4 vols, 2001, Oxford, Ashmolean Museum, cat. vol. ii, illus. vol. i
Location
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- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Publications online
-
The Newberry Collection of Islamic Embroideries
A large roundel is divided into three bands separated by a single line of interlace. The bands have a trellis design filled with lozenges, some of which are arranged as six-petalled rosettes.
Very few stitches remain, but the design is clearly visible because of the former quilting.
Notice
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