Chinese Landscapes from the Ashmolean Collection
(from 9th Feb until 21st Jul 2013)Explore the continued tradition of Chinese landscape painting in this complement to the Xu Bing show.
Reading
-
Description
Nie Ou is a female painter at the Beijing Painting Academy. This sparse and simple composition is typical of her work. ‘Reading’ is one of her favourite subjects to paint, in particular reading in an isolated environment. Both the subject and the style are probably inspired by the simplicity and the hardship of life in the countryside when she was sent to be a ‘re-educated youth’ during the Cultural Revolution (1966-1976).
-
Details
- Associated place
-
Asia › China › Hebei province › Beijing (probable place of creation)
- Date
- 1948 - 1995
- Artist/maker
-
Nie Ou (born 1948) (artist)
- Material and technique
- ink and slight colour on paper
- Dimensions
-
frame 83.5 x 83.5 x 2 cm (height x width x depth)
painting 67 x 67 cm (height x width)
- Material index
- Technique index
- Object type index
- No. of items
- 1
- Credit line
- Presented in honour of the forthcoming 70th birthdays of Jose Mauricio and Angelita Trinidad Reyes, 1995.
- Accession no.
- EA1995.223
-
Further reading
Oxford: Ashmolean Museum, 24 September-1 December 1996, Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford, Vainker, Shelagh (Oxford: Ashmolean Museum, 1996), no. 59 on p. 49, illus. p. 49 fig. 59
Past Exhibition
see (1)
Location
-
- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Publications online
-
Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford
This sparse and simple composition is typical of Nie Ou's work. She has written that during the Cultural Revolution she was sent from Beijing, where she as a student, to live in a small village in the north China plains, and that the simplicity and the hardship of life there have inspired much of her painting.
Notice
Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
© 2013 University of Oxford - Ashmolean Museum