Explore the continued tradition of Chinese landscape painting in this complement to the Xu Bing show.
Lu Yanshao painted within the classical tradition, and his own style is noted for the diagonal sense of movement, also evident in this work.
The inscription reads: ‘Fifty years ago I came to Mount Huang to climb the Shixin [literally ‘Begin-to-Believe’] Peak. At the Duxian [literally ‘Passing Immortals’] Bridge, there used to be a “helping” pine tree whose old trunk you could hold to cross the bridge, but has now been replaced by balustrades. After crossing the bridge, the lanes are winding through cracking rocks. The setting of nature makes me begin to believe the magnificent scenes of Mount Huang are the best among all. This is where the name “Begin-to-Believe” comes from.’
Oxford: Ashmolean Museum, 24 September-1 December 1996, Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford, Vainker, Shelagh (Oxford: Ashmolean Museum, 1996), no. 55 on p. 47, p. 8, illus. p. 46 fig. 55
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Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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