Discover exquisite embroideries, dyed silk and velvet panels, tapestries, and appliqué works
At the international exhibitions of the 1870s the Japanese first became aware of the Western notion of a division between the ‘fine’ and ‘decorative’ arts. The concept that the fine arts, and painting in particular, were superior to the applied arts was unfamiliar to Japanese artists and artisans.
Many Japanese makers and merchants believed that their goods would sell better if they were regarded as ‘fine art’. The producers of ornamental textiles created painterly designs in formats such as wall hangings, screens and framed panels that were designed to be displayed as works of art. Motifs and compositions were often drawn from pictorial sources such as Nihonga ‘Japanese-style painting’, oil painting, photography and lithography.
Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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