A full catalogue of the Ashmolean's collection of diverse works from the formative periods of Himalayan art, c. AD 700-1400 by Amy Heller (published Oxford, 2008).
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_____ and Moyes H., ‘Excavations at Dindun, A Pre-Buddhist Village Site in Far Western Tibet', in Huo Wei et al. eds., Essays on the International Conference on Tibetan Archeology and Art, Beijing, 2004, pp. 47-69.
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_____ ‘Metal Sculpture of the Khasa Mallas', in J. Casey Singer and P. Denwood, eds., Tibetan Art: Towards a Definition of Style, London, 1997, pp. 68-79.
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_____ ‘Tibetan Buddhist Amulets', Arts of Asia, 2004, 2, pp. 112-26.
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_____ and Aryal, M. R., A Report on the Study of the Iconography of Kathmandu Valley and their Preservation and Protection, Kathmandu: His Majesty's Government Department of Archaeology, 1996.
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Béguin, G., Art esotérique de l'Himalaya: La Donation Lionel Fournier, Paris: Musée Guimet, 1990.
______ and Held, S., Nepal: Vision d'un art sacré, Paris, 1996.
Bellezza, J.V., ‘Thogchags: Talismans of Tibet', Arts of Asia, 1998, 3, pp. 44-64.
______ Togcha, 2004 [www.asianart.com].
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Carter, M., ‘Three Silver Vessels from Tibet's Earliest Historical Era: A Preliminary Study', Cleveland Studies in the History of Art, 5, 1998, pp. 22-47.
Casey, J., ed., Medieval Sculpture from Eastern India: Selections from the Nalin Collection, Livingston, 1985.
_____ Selection 1994, London: Rossi and Rossi Ltd., 1994.
_____ Beyond Lhasa: Sculpture and Painting from East and West Tibet, London: Rossi and Rossi, 2002.
_____ and Denwood, P., eds., Tibetan Art: Towards a Definition of Style, London, 1997.
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Dowman, K., tr., Masters of Enchantment, Rochester, 1988.
Duan Wenjie, Five Thousand Years of Chinese Art, vol. 15: The Frescoes of Dunhuang, Tang to Sung Dynasties, Brussels and Shanghai, 1989.
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Goetz, H., The History and Art of Kashmir and the Indian Himalayas, Wiesbaden, 1969.
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Hagmüller, G., Patan Museum: The Transformation of a Royal Palace in Nepal, London, 2003.
Han Wei and Deydier, C., Ancient Chinese Gold, Paris, 2001.
Härtel, H. and Yaldiz, M., Along the Ancient Silk Routes: Central Asian Art from the West Berlin State Museums, New York: Metropolitan Museum of Art, 1982.
Hatt, R., ‘A Thirteenth-century Tibetan Reliquary: An Iconographic and Physical Analysis', Artibus Asiae, 1980, 2/3, pp. 175-220.
Heller, A., ‘An Eighth-century Child's Garment of Sogdian and Chinese Silks', Orientations: Chinese and Central Asian Textiles, 1998, pp. 220-22.
______ Tibetan Art, Milan and Wappinger Falls, 1999.
_____ ‘The Silver Jug of the Lhasa Jokhang: Some Observations on Silver Objects and Costumes from the Tibetan Empire (7th-9th century)', Silk Road Art and Archaeology, 9, 2003, pp. 213-38 [also at: www.asianart.com, 2002].
_____ ‘Archeological Artefacts from the Tibetan Empire in Central Asia', Orientations, 4, 2003, pp. 55-64.
_____ ‘The Three Silver Brothers', Orientations, 2003, 4, pp. 28-34.
_____ ‘Early Ninth-century Images of Va i rocana from Eastern Tibet', Orientations, 1994, 6, pp. 7 4-9.
_____ ‘Archeology of Funeral Rituals as Revealed by Tibetan tombs of the 8th to 9th Century', in M. Comparetti et al., eds., Eran ud Aneran: Studies Presented to Boris Illich Marshak on the Occasion of his 70th Birthday, Venice, 2006, pp. 261-74 [also: www.transoxiana.com.ar/Eran/articles/Heller.html_eran_ud_aneran].
_____ ‘Recent Findings on Textiles from the Tibetan Empire', in R. Schorta, ed., Riggisberger Berichte, 9: Central Asian Textiles and their Contexts in the Early Middle Ages, Riggisberg: Abegg Stiftung, 2006, pp. 175-88.
Heller, A., Hidden Treasures of the Himalaya: Tibetan Buddhist Manuscripts, Paintings and Sculptures of Dolpo, (Chicago, forthcoming).
_____ ‘Some Preliminary Remarks on the Excavations at Dulan', Orientations, 1998, 9, pp. 84-92.
Hinüber, O. von, Die Palola-Sahis, ihre Steinschriften, Inschriften auf Bronzen, Handschriftenkolophone und Schutzzauber: Materialen zur Geschichte von Gilgit und Chilas, Mainz am Rhein, 2004.
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_____ and Huntington, J., Leaves from the Bodhi Tree, Dayton and Seattle, 1990.
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_____ ‘Tibetan Costume, Seventh to Eleventh Centuries', in A. Macdonald and Y. Imaeda, eds., Essais sur l'art de Tibet, Paris, 1977, pp. 65-81.
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Klimburg, M., ‘The Western Trans-Himalayan Crossroads', in D. Klimburg-Salter, The Silk Route and the Diamond Path, Los Angeles, 1982, pp. 25-37.
Klimburg-Salter, D., The Silk Route and the Diamond Path, Los Angeles, 1982.
_____ The Kingdom of Bamiyan: Buddhist Art and Culture of the Hindu Kush, Naples and Rome, 1989.
_____ Tabo: A Lamp for the Kingdom, Milan, 1997.
Kossak, S. and Casey Singer, J., Sacred Visions, New York: Metropolitan Museum, 1998.
Lalou, M., ‘Rituel bon-po des funérailles royales', Journal Asiatique, vol. 240, 1952, pp. 339-61.
Lévi, S., Le Népal, 3 vols., Paris, 1905.
Linrothe, R., Ruthless Compassion, London, 1999.
Lo Bue, E., ‘Statuary Metals in Tibet and the Himalayas: History, Tradition and Modern Use', in W. Oddy and W. Zwalf, eds., Aspects of Tibetan Metallurgy, London: British Museum, 1981, pp. 33-68.
_____ ‘Casting of Devotional Images in the Himalayas: History, Tradition, and Modern Techniques', in Oddy and Zwalf, eds., Aspects of Tibetan Metallurgy, pp. 69-86.
_____ ‘Sculptural Styles According to Pema Karpo', in J. Casey Singer and P. Denwood, eds., Tibetan Art: Towards a Definition of Style, London, 1997, pp. 242-53.
Locke, J., Karunamaya, Kathmandu, 1980.
Luczanits, C., Buddhist Sculptures in Clay, Chicago, 2004.
Lutz, A., Der Tempel der Drei Pagoden von Dali, Zurich: Museum Rietberg, 1991.
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_____ Tibetan Religious Dances, The Hague, 1976.
Okada, A. and Nou, J.-L., Ajanta, Paris, 1991.
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_____ The Arts of Nepal, vol. 1: Sculpture, Leiden, 1974.
_____ Art of Tibet, Los Angeles: Los Angeles County Museum of Art, 1983.
_____ Art of Nepal, Los Angeles: Los Angeles County Museum of Art, 1985.
_____ Art and Architecture of Ancient Kashmir, Bombay, 1989.
_____ Art of the Himalayas: Treasures from Nepal and Tibet, New York, 1991.
_____ A Collecting Odyssey: Indian, Himalayan and Southeast Asian Art from the James and Marilynn Alsdorf Collection, Chicago: Art Institute of Chicago, 1997.
_____ Desire and Devotion: Art from India, Nepal and Tibet in the John and Berthe Ford Collection, Baltimore: Walters Art Gallery, 2001.
_____ Asian Art at the Norton Simon Museum, vol. 1: Art from the Indian Subcontinent, New Haven and London, 2003.
_____ Himalayas: An Aesthetic Adventure (with contributions by A. Heller, O. von Hinüber, and G. Vajracharya), Chicago: Art Institute of Chicago, 2003.
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Rawson, J., The Ornament on Chinese Silver of the Tang Dynasty (AD 618-906), London: British Museum, 1982.
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_____ ‘Tibetan Bronzes: Technical Observations', in P. Pal, ed., On the Path to Void, Bombay, 1996, pp. 162-79.
_____ Himalayan Bronzes: Technology, Style and Choices, London, 1997.
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_____ and Thurman, R., Wisdom and Compassion, New York and San Francisco: Asian Art Museum, 1991.
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_____ (ed. M. V. Aris), High Peaks, Pure Earth, London, 1998.
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_____, To Lhasa and Beyond, Rome, 1956.
_____, Transhimalaya, Geneva, 1973.
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_____ and Casey Singer, J., The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam Collection, London, 1999.
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_____ and Farrer, A., Caves of the Thousand Buddhas: Chinese Art from the Silk Route, London, 1990.
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