Room 12 | India 2500 BC-AD 600 gallery
Explore the early development of Indian art, from the artefacts of the Indus Valley to the Hindu and Buddhist sculpture of north India and Gandhara.
Galleries : 1 object
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Head of a Tirthankara, or Jain saviour
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Details
- Associated place
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Asia › India › central India › Madhya Pradesh (probable place of creation)Asia › India › central India › Madhya Pradesh › north Madhya Pradesh › Gwalior division › Gwalior district › Gwalior (possible place of creation)
- Date
- 11th - 12th century (1001 - 1200)
- Material and technique
- grey sandstone
- Dimensions
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with mount 37 x 16 x 15 cm max. (height x width x depth)
27 x 16 x 15 cm max. (height x width x depth)
- Material index
- Technique index
- Object type index
- No. of items
- 1
- Accession no.
- EAX.245
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Further reading
Harle, J. C., and Andrew Topsfield, Indian Art in the Ashmolean Museum (Oxford: Ashmolean Museum, 1987), no. 53 on p. 45, p. 49, illus. p. 45
Location
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First floor | Room 32 | India from 600
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First floor | Room 32 | India from 600
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Publications online
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Indian Art in the Ashmolean Museum
This detached head, with its exquisitely sensitive modelling, shows to what extent, even in the later Hindu period, tactile values of the highest order can be accommodated within a highly stylised conception. The median parting of the snail curls provides a strong vertical axis, from which the curls, in unusual wave-like patterns, appear to rush away. Perfectly ordered, their rows upon rows suggest nonetheless a rough turbulence which offsets any hint of effeteness in the smooth surfaces of the face below, over which the thin line of the eyebrows appears to wander with a life of its own. The emotional impact of this head, which is powerful, then emanates from the barely adumbrated depressions, even dimples, around the mouth and the lower part of the nose.
The head was almost certainly part of a stele and most likely had a halo. The pupils of the eyes are indicated by incised lines.
Galleries
Notice
Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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