Ashmolean Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

The four repeating patterns illustrated here [EA1984.443, EA1984.329.a, EA1984.426, EA1984.435] provide us with a glimpse of some of the designs and stitches worked as narrow bands of decoration. The usual format for arranging bands of embroidery on square and rectangular cloths, as seen on the Newberry pieces, leaves the centre ground fabric plain and places three parallel bands along two opposite sides and one across each of the other two. However, two samplers in the collection show how patterns should be adjusted to turn corners, so it is clear that some embroideries did have continuous borders.

The embroidery worked on the bands was sometimes very fine indeed; an example in the collection is even finer than that seen on No.60 [EA1984.329.a], where an interlace pattern has been carried out in stem stitch over a count of four threads on a cloth with a thread count of 36 to one centimetre. The patterns, colours and stitches illustrated here demonstrate the refined nature of this embroidery from the later period of Mamluk rule in Egypt.

Two parallel narrow bands with linked cartouches and circles containing a small spiral. The cartouches are either filled with yellow pulled work, or contain an S-shape or a small crescent with a diamond frame. The outlines are embroidered in split stitch, with blue and brown filling also done in split stitch. The bands have a border of yellow embroidery in pulled work.

Each band is 1.6 cm wide, and set at a distance of 3.5 cm.