Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Islamic Ceramics

A select catalogue of the Ashmolean's collection of ceramics from the Islamic world from the 9th to 18th century, by James Allen (published Oxford, 1991).

Islamic ceramics, by James W. Allan

Publications online: 46 objects

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Bowl with foliage and pierced decoration

  • Literature notes

    These two objects [EAX.3035 & EA1978.1765] are of a type usually termed ‘Gombroon ware’. Gombroon was the old name for the port of Bandar Abbas. Here the Dutch East India Company had a trading-station, and from Gombroon quantities of Persian soft-paste porcelain were shipped to Europe. Although the bulk of exported ceramics were probably blue and white, the term ‘Gombroon ware’ is helpful in distinguishing this group, in which white so obviously dominates.
    Both these objects illustrate a relatively plain aesthetic which is unusual in Islamic ceramics. The origin of the shape [EAX.3035] is uncertain, but the most likely explanation is that it derives from late seventeenth – early eighteenth century Famille Verte Chinese ewers, of which there are two fines examples in the Topkapi Saray in Istanbul. Such ewers were themselves probably copied from Islamic metalwork prototypes. Moulded designs on blue and white could well have provided the inspiration for the underglaze incised patterning.

    The bowl [EA1978.1765] on the other hand shows more local taste. The form, with a moulded domical centre, is part of an age-old tradition of phialae, small bowls used for pouring water, known from Greek and Archaemenid examples, and still used in the Islamic world today. The piercing of the sides of the bowl is probably the Persian potter’s attempt to emulate the translucency of Chinese porcelain and may well be the source of the rice-pattern used by the Chinese potters of the eighteenth and nineteenth century. The three stems of trefoils illustrate the typical desire of the Islamic potter for colour and design, here exquisitely rendered, and carefully balanced by the groups of black dots on the rim.
  • Details

    Associated place
    Asia Iran (place of creation)
    Date
    2nd half of the 17th century - 18th century
    Safavid Period (1501 - 1722)
    Material and technique
    fritware, with pierced decoration, and underglaze painting in blue and black
    Dimensions
    5.3 cm (height)
    15.2 cm (diameter)
    at foot 6.3 cm (diameter)
    Material index
    Technique index
    coveredcoated glazed,
    Object type index
    No. of items
    1
    Credit line
    Gift of Gerald Reitlinger, 1978.
    Accession no.
    EA1978.1765
  • Further reading

    Allan, James W., Islamic Ceramics, Ashmolean-Christie's Handbooks (Oxford: Ashmolean Museum, 1991), no. 41 on p. 64, illus. p. 65

    Oxford: Ashmolean Museum, 18 July-13 September 1981, and London: Sotheby Parke Bernet, 1981, Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger: Catalogue of the Memorial Exhibition, Deborah Willis, ed. (Oxford: Ashmolean Museum and London: Sotheby Parke Bernet, 1981), no. 354 on p. 123, illus. p. 123

Glossary (2)

fritware, underglaze painting

  • fritware

    Ceramic material composed of ground quartz and small quantities of clay and finely ground frit (frit is obtained by pouring molten glass into water).

  • underglaze painting

    Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.

Location

    • First floor | Room 31 | Islamic Middle East

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Collection trails

Publications online

  • Islamic ceramics, by James W. Allan

    Islamic Ceramics

    These two objects [EAX.3035 & EA1978.1765] are of a type usually termed ‘Gombroon ware’. Gombroon was the old name for the port of Bandar Abbas. Here the Dutch East India Company had a trading-station, and from Gombroon quantities of Persian soft-paste porcelain were shipped to Europe. Although the bulk of exported ceramics were probably blue and white, the term ‘Gombroon ware’ is helpful in distinguishing this group, in which white so obviously dominates.
    Both these objects illustrate a relatively plain aesthetic which is unusual in Islamic ceramics. The origin of the shape [EAX.3035] is uncertain, but the most likely explanation is that it derives from late seventeenth – early eighteenth century Famille Verte Chinese ewers, of which there are two fines examples in the Topkapi Saray in Istanbul. Such ewers were themselves probably copied from Islamic metalwork prototypes. Moulded designs on blue and white could well have provided the inspiration for the underglaze incised patterning.

    The bowl [EA1978.1765] on the other hand shows more local taste. The form, with a moulded domical centre, is part of an age-old tradition of phialae, small bowls used for pouring water, known from Greek and Archaemenid examples, and still used in the Islamic world today. The piercing of the sides of the bowl is probably the Persian potter’s attempt to emulate the translucency of Chinese porcelain and may well be the source of the rice-pattern used by the Chinese potters of the eighteenth and nineteenth century. The three stems of trefoils illustrate the typical desire of the Islamic potter for colour and design, here exquisitely rendered, and carefully balanced by the groups of black dots on the rim.
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