Browse: 10610 objects
White ware bowl with phoenixes and floral decoration
- loan
-
Details
- Associated place
-
Asia › China › Jiangxi province › Jingdezhen › Jingdezhen kilns (place of creation)
- Date
-
13th - 14th century (1201 - 1400)
Southern Song Dynasty (1127 - 1279)
Yuan Dynasty (1279 - 1368)
- Material and technique
- porcelain, thrown, with press-moulded decoration under a bluish-white glaze (qingbai ware); glazed base; copper rim
- Dimensions
-
6.3 cm (height)
18.7 cm (diameter)
- Material index
- Technique index
-
formed › moulded › press moulded,
- Object type index
- No. of items
- 1
- Credit line
- Lent by the Sir Alan Barlow Collection Trust.
- Accession no.
- LI1301.181
-
Further reading
University of Sussex, and Arts and Humanities Research Council, The Barlow Collection, supervised by Regina Krahl, Maurice Howard, and Aiden Leeves (Sussex: University of Sussex, 2006), no. C169
Glossary (2)
glaze, porcelain
-
glaze
Vitreous coating applied to the surface of a ceramic to make it impermeable or for decorative effect.
-
porcelain
Ceramic material composed of kaolin, quartz, and feldspar which is fired to a temperature of c.1350-1400⁰c. The resulting ceramic is vitreous, translucent, and white in colour.
Location
-
- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Publications online
-
The Barlow Collection
The wide conical bowl has slightly rounded sides, a flat centre and a very low foot. The inside is moulded in relief with a central lotus spray with two blooms and a leaf, the sides show a pair of phoenixes between dense peonies, and a key-fret border below a plain band at the rim. The outside is plain. The somewhat opaque milky glaze has a bluish tinge and has degraded on some of the relief areas. It fully covers the piece, but the rim was left unglazed and is bound in a copper band, since the piece was fired upside down.
© 2013 University of Oxford - Ashmolean Museum