Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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The Mad Woman Who Unrolls Her Letters

  • Description

    Chiyo was a servant in the house of the great warlord Toyotomi Hideyoshi. After her husband left her she went mad. In this print she stands in the street unrolling a long letter from her husband, which seems to startle a young boy running home after his lessons. Despite her beautiful, elaborately-patterned robes, Chiyo looks unkempt and deranged. The poem above suggests a tangled love affair, the cause of which is another woman.

  • Details

    Series
    Take-offs Based on the Ogura Version of the ‘One Hundred Poems by One Hundred Poets’
    Associated place
    AsiaJapanHonshūKantōTōkyō prefecture Tōkyō (place of creation)
    AsiaJapanHonshūKantōTōkyō prefecture Tōkyō (place of publication)
    Date
    1845 - 1847
    Artist/maker
    Utagawa Kuniyoshi (1797 - 1861) (designer)
    Yokogawa Takejirō (active c. 1852) (block cutter)
    Kawara Sadaijin (AD 822 - 895) (author)
    Associated people
    Ibaya Senzaburō (active c. 1820s - c. 1870s) (publisher)
    Muramatsu Genroku (active c. 1843 - c. 1852) (censor)
    Material and technique
    nishiki-e (multi-block) woodblock print, with bokashi (tonal gradation)
    Dimensions
    mount 55.5 x 40.4 cm (height x width)
    print 35.5 x 23.2 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Presented by George Grigs, Miss Elizabeth Grigs, and Miss Susan Messer, in memory of Derick Grigs, 1971.
    Accession no.
    EA1971.116

Glossary

nishiki-e

  • nishiki-e

    Nishiki-e literally means 'brocade pictures' and refers to multi-coloured woodblock prints.

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

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