Oxford: Ashmolean Museum, 18 July-13 September 1981, and London: Sotheby Parke Bernet, 1981, Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger: Catalogue of the Memorial Exhibition, Deborah Willis, ed. (Oxford: Ashmolean Museum and London: Sotheby Parke Bernet, 1981), no. 249 on p. 90, illus. p. 90
Impey, Oliver, Japanese Export Porcelain: Catalogue of the Collection of the Ashmolean Museum, Oxford (Amsterdam: Hotei Publishing, 2002), no. 1 on p. 38, pp. 20 & 37, illus. p. 38
Jenyns, Soame, Japanese Porcelain, Faber Monographs on Pottery and Porcelain (London: Faber and Faber, 1965), pl.11b
Scheurleer, D.F. Lunsingh, ‘Japans porselein met blauwe decoraties uit de tweede helft van de zeventiende en de eerste helft van de achttiende eeuw’, Mededelingenblad Vrienden van de Nederlandse Ceramiek, 64/65, (1973), pl.122
porcelain, underglaze painting
Ceramic material composed of kaolin, quartz, and feldspar which is fired to a temperature of c.1350-1400⁰c. The resulting ceramic is vitreous, translucent, and white in colour.
Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.
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