Impey, Oliver, Japanese Export Porcelain: Catalogue of the Collection of the Ashmolean Museum, Oxford (Amsterdam: Hotei Publishing, 2002), no. 434 on p. 245, p. 223, illus. p. 245
Vickers, Michael, Oliver Impey, and James Allan, From Silver to Ceramic: The Potter's Debt to Metalwork in the Graeco-Roman, Oriental and Islamic Worlds (Oxford: Ashmolean Museum, 1986), pl. 61
Howard, David Sanctuary, John Ayers, and Nelson A. Rockefeller, China for the West: Chinese Porcelain and Other Decorative Arts for Export Illustrated from the Mottahedeh Collection, 2 vols (London: Sotheby Parke Bernet, 1978), cat. vol. ii no.115, vol ii p. 136
lacquer, porcelain, underglaze painting
Chinese and Japanese lacquer is made from the sap of the lacquer tree, which is indigenous to Eastern China. It is applied to wood as a varnish or for decorative effect. In India and the Middle East, lacquer is made from the deposit of the lac insect.
Ceramic material composed of kaolin, quartz, and feldspar which is fired to a temperature of c.1350-1400⁰c. The resulting ceramic is vitreous, translucent, and white in colour.
Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
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