Oxford: Ashmolean Museum, 18 July-13 September 1981, and London: Sotheby Parke Bernet, 1981, Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger: Catalogue of the Memorial Exhibition, Deborah Willis, ed. (Oxford: Ashmolean Museum and London: Sotheby Parke Bernet, 1981), no. 272 on p. 96, illus. p. 96
Impey, Oliver, Japanese Export Porcelain: Catalogue of the Collection of the Ashmolean Museum, Oxford (Amsterdam: Hotei Publishing, 2002), no. 143 on p. 116, p. 114, illus. p. 116
Hong Kong: Hong Kong Museum of Art, 6 January-15 February 1984, and Singapore, 2 March-1 April 1984, Tokyo, 27 April-8 May 1984, and Osaka, 11 May-23 May 1984, Interaction in Ceramics: Oriental Porcelain and Delftware [= Tung fang tz‘u i yü Ho-lan Te-erh-fu t‘e t‘ao tz‘u], C. J. A. Jörg, ed. (Hong Kong: Urban Council, 1984), no. 69 on p. 114, illus. p. 115 & p. 213 fig. 69
Fitski, Menno, Kakiemon Porcelain: A Handbook (Leiden: Leiden University Press and Amsterdam: Rijksmuseum, 2011), illus. p. 23 fig. 14
glaze, porcelain, underglaze painting
Vitreous coating applied to the surface of a ceramic to make it impermeable or for decorative effect.
Ceramic material composed of kaolin, quartz, and feldspar which is fired to a temperature of c.1350-1400⁰c. The resulting ceramic is vitreous, translucent, and white in colour.
Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
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