Allan W., James, ‘Isfahan, Canton, Etruria - Persia and the China Trade in the 18th and 19th Centuries’, ed. Sajid Rizvi, Eastern Art Report: Eastern Art in the Ashmolean Museum Oxford, Great Museums of the World, 4/2, (1995), p. 18, illus. p. 17 fig. 6
porcelain, underglaze painting
Ceramic material composed of kaolin, quartz, and feldspar which is fired to a temperature of c.1350-1400⁰c. The resulting ceramic is vitreous, translucent, and white in colour.
Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.
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