Oxford: Ashmolean Museum, 18 July-13 September 1981, and London: Sotheby Parke Bernet, 1981, Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger: Catalogue of the Memorial Exhibition, Deborah Willis, ed. (Oxford: Ashmolean Museum and London: Sotheby Parke Bernet, 1981), no. 289 on p. 104, illus. p. 104
earthenware, kufic, slip, underglaze painting
Ceramic material made of clay which is fired to a temperature of c.1000-1200⁰c. The resulting ceramic is non-vitreous and varies in colour from dark red to yellow.
A term denoting various styles of angular Arabic script. Emerged in the early centuries of Islam, kufic soon became the preferred hand to copy holy texts.
A semi-fluid clay applied to a ceramic before glazing either to coat the surface or for decorative effect.
Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.
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