Oxford: Ashmolean Museum, 18 July-13 September 1981, and London: Sotheby Parke Bernet, 1981, Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger: Catalogue of the Memorial Exhibition, Deborah Willis, ed. (Oxford: Ashmolean Museum and London: Sotheby Parke Bernet, 1981), no. 320 on p. 113, illus. p. 113
Mason, Robert B., ‘Mediaeval Iranian Lustre-painted and Associated Wares: Typology in a Multidisciplinary Study’, Iran, 35, (1997), (ASH.23) pp. 128 & 131, illus. p. 125
fritware, lustre, underglaze painting
Ceramic material composed of ground quartz and small quantities of clay and finely ground frit (frit is obtained by pouring molten glass into water).
Metallic sheen obtained by applying a mixture of metallic oxides onto an already glazed ceramic that is refired at a reduced atmosphere.
Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.
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