Impey, O. R., and M. Tregear, Oriental Lacquer: Chinese and Japanese Lacquer from the Ashmolean Museum Collections (Oxford: Ashmolean Museum, 1983), no. 14 a on p. xi, illus. p. 14
hiramaki-e, lacquer, nashiji, takamaki-e
(‘flat sprinkled design’) coloured or metal powders sprinkled onto a wet lacquer ground and usually covered with a protective layer of lacquer
Chinese and Japanese lacquer is made from the sap of the lacquer tree, which is indigenous to Eastern China. It is applied to wood as a varnish or for decorative effect. In India and the Middle East, lacquer is made from the deposit of the lac insect.
(‘pear skin ground’) tiny, irregularly shaped flakes of gold embedded in amber coloured wet lacquer and then polished to a fine sheen
(high relief sprinkled design’) makie technique in which parts of the design are built up with lacquer mixed with charcoal or clay dust
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
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