This mountainside shows the site of a hydro-electric power station that was under construction near the Longyang Gorge at the time of Xu Bing’s visit. The etching is a rare example of open-air engraving. Xu Bing took with him to Qinghai province copper plates that had been waxed in Beijing. He scratched through them at the scene to make these two images, which are part of a series, and added the acid when he returned to his local accommodation.
Oxford: Ashmolean Museum, 28 February-19 May 2013, Xu Bing Landscape/Landscript: Nature as Language in the Art of Xu Bing, Shelagh Vainker, ed. (Oxford: Ashmolean Museum, 2013), no. 60 on p. 98, pp. 70, 71, 84, 99, illus. p. 98 fig. 60
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