These barns and stables were located at the top of the village of Shouliang Gou. Artists’ materials were hard to come by, and Xu Bing has used wrapping paper from the commune brigade’s stores, and children’s crayons. The quality of the crayon was poor, and the cold weather caused it to freeze. The effects of subsequent thawing can be seen in some areas.
Oxford: Ashmolean Museum, 28 February-19 May 2013, Xu Bing Landscape/Landscript: Nature as Language in the Art of Xu Bing, Shelagh Vainker, ed. (Oxford: Ashmolean Museum, 2013), no. 4 on p. 31, illus. p. 31 fig. 4
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
© 2013 University of Oxford - Ashmolean Museum