The small size, red-lacquered frame and elegant designs of this screen suggest that they may have been made for a lady’s room. They once belonged to Hirooka Ihei, a well-known Kyoto yūzen silk merchant, who in 1897 pioneered the musen (lineless) yūzen technique. This recreated the soft wash effects of Japanese painting. The designs for these screens were apparently supplied by two celebrated Kyoto painters, Kishi Chikudō (1826-1897) and Mochizuki Gyokusen (1834-1913). (Exhibition number 39)
Oxford: Ashmolean Museum, 9 November 2012-27 January 2013, Threads of Silk and Gold: Ornamental Textiles from Meiji Japan, Clare Pollard, ed. (Oxford: Ashmolean Museum, 2012), no. 39 p. 164, pp. 27, 31 & 100, illus. pp. 162-165
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