Unique in Mughal painting in its ambition and freedom of expression, the Hamzanama contains many pages of great verve. Here the lanky Umar, arch-trickster and loyal helper of Hamza, is magically saved from his pursuers by a heavenly hand. He sails aloft against dramatic cloud effects, which like the ‘hand of God’ and the scattered skulls and bones, are adapted from European painting sources.
Oxford: Ashmolean Museum, 2nd February-22nd April 2012, Visions of Mughal India: The Collection of Howard Hodgkin, Andrew Topsfield, ed. (Oxford: Ashmolean Museum, 2012), no. 2 on p. 26, pp. 17, 24, 28, 30, & 34, illus. pp. 6 & 27
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