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Palaces in the Mountains of Immortals
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Description
Wu Hufan was born in Suzhou, Jiangsu province. He is known not only for his landscapes, but also for his collection of traditional paintings and his connoisseurship. As the grandson of Qing period painter and calligrapher Wu Dacheng (1835-1902), Wu Hufan was able to access and study many original masterpieces. He is especially known for his study of the ‘Four Wangs’ from the Qing dynasty (1644-1911), Dong Qichang (1555-1636) of the Ming dynasty, and also Dong Yuan, Juran (active AD 660-995) and other Song dynasty (AD 960-1279) master painters.
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Details
- Associated place
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Asia › China › Shanghai province (probable place of creation)
- Date
- 1930 - 1968
- Artist/maker
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Wu Hufan (1894 - 1968) (artist)copyist of Zhao Qianli (1127 - 1162) (artist)copyist of Zhao Zhongmu (c. 1290 - after 1360) (artist)Wu Hufan (1894 - 1968) (calligrapher)
- Material and technique
- ink and colour on paper; mounted on card, framed with juan silk, and trimmed with brown paper
- Dimensions
- 23.5 x 29 cm (height x width)
- Material index
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organic › animal › animal product › silk,
- Technique index
- Object type index
- No. of items
- n/a
- Credit line
- Presented in honour of the forthcoming 70th birthdays of Jose Mauricio and Angelita Trinidad Reyes, 1995.
- Accession no.
- EA1995.254.c
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Further reading
Oxford: Ashmolean Museum, 24 September-1 December 1996, Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford, Vainker, Shelagh (Oxford: Ashmolean Museum, 1996), no. 89 on p. 67, p. 10
Location
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- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Publications online
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Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford
The remaining nine leaves of the album are each inscribed as being painted in the style of an early master; it is not uncommon for albums to comprise practice works in this way.
© 2013 University of Oxford - Ashmolean Museum