Mount Qixia is located in the northeast of Nanjing, and is well-known for both its Buddhist heritage and its autumn maple leaves. In this print, red both reflects the natural beauty and has political connotations. The Qixia temples were largely destroyed during the Cultural Revolution several years after this print was created. Zhang Xinyu is one of the main printmakers to incorporate traditional Chinese printmaking skills, creating a distinctive effect that highlights the beauty of the landscapes and cityscapes of south China.
Weimin He, and Shelagh Vainker, Chinese Prints 1950-2006 in the Ashmolean Museum (Oxford: Ashmolean Museum, 2007), no. 36 on p. 44, p. 70, illus. p. 44
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