The story of White Snake originated in the 13th century, and through oral storytelling developed into different versions. A heavenly snake-turned-beauty marries Xu Xian, who saved her in his previous life. A knowing monk persuades Xu to give the beauty drugged wine that will reveal her identity, and she is depicted in this painting having just drunk it. The widely known version in the Qing opera has a happy ending in which the White Snake’s son passes his civil service exam and saves her from the monk’s quelling. The opera is often played on the fifth day of the fifth month when realgar wine is used to drive away poisonous creatures such as snakes.
Oxford: Ashmolean Museum, 24 September-1 December 1996, Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford, Vainker, Shelagh (Oxford: Ashmolean Museum, 1996), no. 23 on p. 29, illus. p. 29 fig. 23
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