In this virtuoso combination of drawing and resist-marbling, the enraged elephant, its mahout and the stricken stallion are dramatically silhouetted within a vibrant field of marbling patterns. The art of marbling flourished in Central Asia, Iran and Turkey, and became a speciality of the Bijapur court in the second quarter of the 17th century.
Oxford: Ashmolean Museum, 2nd February-22nd April 2012, Visions of Mughal India: The Collection of Howard Hodgkin, Andrew Topsfield, ed. (Oxford: Ashmolean Museum, 2012), no. 41 on p. 104, illus. pp. 90-91 & 105
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