A young Muslim noble holds a flower as a mark of refinement, while his archer’s thumb-ring attests to his skill as a huntsman. This sensitive bust portrait follows earlier Mughal models, though its outline drawing simplifies and enhances the subtle curves of the lips, nostril, ear, eye, and brow. The painter probably worked at a court such as Kishangarh, where Mughal stylistic influence had been strong.
Oxford: Ashmolean Museum, 2nd February-22nd April 2012, Visions of Mughal India: The Collection of Howard Hodgkin, Andrew Topsfield, ed. (Oxford: Ashmolean Museum, 2012), no. 86 on p. 204, illus. p. 205
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