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Crickets with bellflower and beach chrysanthemum
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Description
Studies of plants are common subjects both for artists working in the Nanga style of Chinese literati ink painting, and for those trained in the Maruyama style, which emphasized sketching from life. Tani Bun’ichi trained in both styles, first with his father, Tani Bunchō, and later with the Maruyama School painter Watanabe Nangaku. Examples by both artists can be seen in this exhibition [EAX.5387, EAX.5380].
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Details
- Associated place
- Date
- c. 1800
- Artist/maker
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Tani Bun'ichi (1787 - 1818) (artist)Maruyama-Shijō School (active late 18th century - late 19th century)
- Material and technique
- ink and colour on paper
- Dimensions
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mount 36.5 x 55.5 cm (height x width)
painting 24.2 x 52.6 cm (height x width)
- Material index
- Technique index
- Object type index
- No. of items
- 1
- Credit line
- Presented by Dr Michael Harari, from the collection of his father, Ralph Harari, 1981.
- Accession no.
- EAX.5406
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Further reading
Katz, Janice, Japanese Paintings in the Ashmolean Museum, Oxford, with an introductory essay by Oliver Impey (Oxford: Ashmolean Museum, 2003), cat. supp. no. 73 on p. 225, illus. p. 225 fig. 73
Hillier, J., The Harari Collection of Japanese Paintings and Drawings, copyright owned by Michael Harari, 3 vols (London: Lund Humphries, 1973), no. 305 on p. 538, illus. p. 539 fig. 305
Glossary
Nanga
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Nanga
Lit. ‘Southern painting’ – Edo period (1600-1868) Japanese painting school derived from Chinese models.
Past Exhibition
see (1)-
Unfolding Nature: Images of Summer on Chinese and Japanese Fans
(from 10th Jul until 7th Oct 2012)
Location
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- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
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