Oxford: Ashmolean Museum, 18 July-13 September 1981, and London: Sotheby Parke Bernet, 1981, Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger: Catalogue of the Memorial Exhibition, Deborah Willis, ed. (Oxford: Ashmolean Museum and London: Sotheby Parke Bernet, 1981), no. 375 on p. 129, illus. p. 129
Wade Haddon, Rosalind A., ‘Mongol Influences on Mamluk Ceramics in the Fourteenth Century’, Doris Behrens-Abouseif, ed., The Arts of the Mamluks in Egypt and Syria - Evolution and Impact (Goettingen: V & R Unipress and Bonn University Press, 2012), illus. p. 103 fig. 6
fritware, underglaze painting
Ceramic material composed of ground quartz and small quantities of clay and finely ground frit (frit is obtained by pouring molten glass into water).
Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.
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