The technique Jean-François Millet employs here of using closely hatched lines to denote both form and tone is similar to the academic style taught to Xu Bing in his youth, and which is apparent in his early drawings (see LI2007.12).
Oxford: Ashmolean Museum, 28 February-19 May 2013, Xu Bing Landscape/Landscript: Nature as Language in the Art of Xu Bing, Shelagh Vainker, ed. (Oxford: Ashmolean Museum, 2013), no. 21 on p. 56, pp. 16, 52, 155, illus. p. 56 fig. 21
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
© 2013 University of Oxford - Ashmolean Museum