A catalogue of the Ashmolean collection of Chinese paintings by Shelagh Vainker (published Oxford, 2000).
Zha Shibiao, also known as Meihe or Erzhan, was from Xin’an in Anhui province. He is regarded as one of the four masters of the Xin’an School, and is renowned for his dry brushwork and sparse composition. The artist studied for the civil service examinations before the fall of the Ming dynasty, and it has been suggested that his subsequent departure from official life in favour of painting may have been prompted by lack of sympathy for the new rule.
From the 1670s onwards Zha Shibiao lived in Yangzhou. His family owned collections of paintings and bronzes, and he himself was a connoisseur. In painting he followed his contemporary Hong Ren (1610-1664) and master from the Yuan dynasty, Ni Zan (1301-1374). According to the inscription, this particular painting is after Wen Zhengming (1470-1559), also known as Hengshan xiansheng, and was painted during a trip to Yangzhou in 1666.
Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 158 on p. 182, illus. p. 183 fig. 158
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