Explore woodblock prints and ink paintings from around the period of the Cultural Revolution in China.
Chen Zizhuang, also known as Shihu in his late years, was from Rongchang, Sichuan province. He was good at martial arts in his early years and worked for the army in 1949. He studied traditional painting, calligraphy and seal carving, and was especially interested in archaic scripts. In the 1950s he developed his own style in the belief that the strokes of brushwork in painting should be the same as in calligraphy. He held in high regard eight particular master painters, including his acquaintances Wu Changshuo, Huang Binhong and Qi Baishi. In 1955 he became a researcher in the Sichuan Institute of Literature and History. The brushwork seen in this handscroll shows the artist’s practice in applying the skills of calligraphy and seal carving to landscape painting, also evident in other work displayed in this exhibition. A long comment praising this painting was written in running script by Song Wenzhi when Song visited Hong Kong in 1991. Song’s comment is attached to the same handscroll but not displayed.
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
© 2013 University of Oxford - Ashmolean Museum