Explore woodblock prints and ink paintings from around the period of the Cultural Revolution in China.
Shi Lu took up his name at the age of 21 from the Qing painter Shi Tao and the contemporary writer Lu Xun, having renounced his landowning literati background. His reputation as an artist is that of eccentric genius. He was a leading member of the group of painters known as the Xi’an School in Shaanxi province. In the Cultural Revolution he was tortured and suffered greatly from psychiatric problems. In the early 1970s. Shi painted several landscape scenes of Mount Hua, such as the one on display here.
Oxford: Ashmolean Museum, 24 September-1 December 1996, Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford, Vainker, Shelagh (Oxford: Ashmolean Museum, 1996), no. 79 on p. 61, p. 13, illus. p. 61 fig. 79
Vainker, Shelagh, ‘Modern Chinese Paintings in the Ashmolean Museum’, Oriental Art, 42/3, (Autumn 1996), p. 5, illus. p. 5 fig. 6
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