Explore the influence of early Chinese writing and artefacts on the art of the twentieth century and beyond.
Wei Dong, the Beijing-based painter, is known for provocative works that combine modern figures and traditional painting. This landscape of trees, rocks, huts, and winding paths is drawn in the conventional style of the Ming dynasty (1368-1644); the eight half-hidden, half-naked figures are a late twentieth-century innovation. The three seals on the painting were carved by the artist in imitation of the imperial marks of Emperor Qianlong (r.1736-1795), a renowned collector of arts and antiques.
Oxford: Ashmolean Museum, 24 September-1 December 1996, Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford, Vainker, Shelagh (Oxford: Ashmolean Museum, 1996), no. 86 on p. 66, illus. p. 66 fig. 86
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Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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