A commemorative exhibition in memory of Michael Sullivan, leading scholar of Chinese art.
This small handscroll demonstrates the splashed ink-and-colour technique that Zhang Daqian (1899-1983) used widely in his landscape paintings after the late 1950s. The technique derives from the traditional mogu ‘boneless’ blue and green landscape style of earlier periods, and at the same time indicates Zhang’s encounter with abstract art in the west in the 1960s. Another splashed ink painting displayed here, the Blue and green landscape [LI2022.62], was painted in the same year. The inscription reads ‘[I] Painted this in the summer of the sixty-fourth year [of the Republic, 1975]. Wishing Madam Khoan [Sullivan, 1919-2003] peace.’
Sullivan, Michael, Modern Chinese Art: The Khoan and Michael Sullivan Collection, revised edn (Oxford: Ashmolean Museum, 2009), no. 154 on p. 155, illus. p.155 fig. II.154
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Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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