A commemorative exhibition in memory of Michael Sullivan, leading scholar of Chinese art.
Zhu Dequn (born 1920) had been a contemporary of Zhao Wuji (1921-2013) in the Hangzhou Academy and had also studied under Lin Fengmian (1900-1991). During the Second World War (1939-1945) he was in west China then Nanjing. From 1950 to 1955 he was Professor in the National Taiwan Normal University, Taipei. In 1955 he settled in Paris where, in 1999, he was installed as a member of the Academic des Beaux Arts.
Zhu’s response to the modernism he encountered in Paris was a series of canvases that display an almost violent repudiation of figurative art. Zhu has created, in oils and acrylics, an abstract style of luminous transparency, which has established his position among leading abstract expressionists in Paris. This painting, which is a cosmic landscape with Daoist undertones, was produced in 1988 for Khoan Sullivan (1919-2003) who wished for something with a predominantly blue colour. The inscription reads ‘To Mr. and Mrs. Sullivan. Affectionately, Zhu Dequn 1988.’
Sullivan, Michael, Modern Chinese Art: The Khoan and Michael Sullivan Collection, revised edn (Oxford: Ashmolean Museum, 2009), no. 164 on p. 164, illus. p.165 fig. II. 164
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Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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