Explore the innovative landscape work of one of China’s most renowned contemporary artists.
The inscription in ‘square word calligraphy’ reads ‘In the process of this painting, I started recording my experience each time I copied a tree. I discovered that each tree contained in it the secret of a child.’
Oxford: Ashmolean Museum, 28 February-19 May 2013, Xu Bing Landscape/Landscript: Nature as Language in the Art of Xu Bing, Shelagh Vainker, ed. (Oxford: Ashmolean Museum, 2013), no. 93 on p. 180, pp. 1, 36, 151, 153, 197, illus. pp. 180-181 fig. 93
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
© 2013 University of Oxford - Ashmolean Museum