Paintings displayed in honour of Mary Tregear
(from 22nd Dec 2011 until 19th Jan 2014)A display to commemorate the contribution of Mary Tregear to the Ashmolean Museum.
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Mountain landscape
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Description
Shang Rui, born in Suzhou in Jiangsu province, was a monk. His painting style was classical, and he also wrote poetry. According to the inscription, the painting imitates the brushwork of Wen Boren (1502-1575), the nephew of the famous Ming painter Wen Zhengming (1470-1559), who is known for his landscapes. It is said that Wen Boren’s landscapes have two different styles, a ‘simple’ style and a ‘complicated’ one. His ‘complicated’ style is influenced by Wang Meng (1301-1385), who usually applies intensive cun strikes and dots to make a dense composition. Here Shang Rui seems to follow Wen Boren’s ‘complicated’ style.
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Details
- Associated place
- Date
- October - November 1703
- Associated people
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Mi'an (active c. 1703) (recipient)
- Material and technique
- ink and colour on paper
- Dimensions
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30.7 x 707.9 cm (height x width)
title 29.2 x 90.8 cm (height x width)
painting 28.7 x 385 cm (height x width)
colophon 29.2 x 226.4 cm (height x width)
rolled 6.3 cm (diameter)
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- No. of items
- 1
- Credit line
- Purchased with the assistance of the V&A and the Friends of the Ashmolean Museum, 1978.
- Accession no.
- EA1978.406
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Further reading
Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 118 on p. 136, illus. pp. 136-137 figs 118a-g
Past Exhibitions
see all (2)
Location
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- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
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Publications online
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Chinese Paintings in the Ashmolean Museum, Oxford
Shang Rui, born in present-day Suzhou in Jiangsu province, was a monk. His painting style was classical, and he also wrote poetry. One Qing text treats Shang Rui and Mu Cun as two separate painters, and the date of his death is contentious. The possibilities are 1683, 1686, or after 1724.
Notice
Objects from past exhibitions may have now returned to our stores or a lender. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so please contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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