Discover the paintings and decorative arts of the Mughal period - the most powerful and lasting of the Islamic dynasties in India.
This right half of a double-page composition was probably made for a manuscript of the Padshahnama, the official history of Shah Jahan’s reign. In the left page, the emperor would receive the Persian ambassador in a durbar assembly. Here lesser grandees and court attendants are assembled, including several Persians on the left in their Safavid turbans. Two imperial elephants with their youthful riders are also present. Musicians play over the gateway above.
Oxford: Ashmolean Museum, 2nd February-22nd April 2012, Visions of Mughal India: The Collection of Howard Hodgkin, Andrew Topsfield, ed. (Oxford: Ashmolean Museum, 2012), no. 15 on p. 52, p. 18, illus. p. 53
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Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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