Explore the early development of Indian art, from the artefacts of the Indus Valley to the Hindu and Buddhist sculpture of north India and Gandhara.
In this relief fragment, the prince uses a short sword to cut his hair, prior to becoming a wandering ascetic. The attendant receives his discarded turban.
Quagliotti, Anna Maria, ‘A Gandharan Bodhisattva with Surya on the Headdress and Related Problems’, Maurizio Taddei and Giuseppe De Marco, eds, South Asian Archaeology 1997: Proceedings of the Fourteenth International Conference of the European Association of South Asian Archaeologists, 3 vols, Serie orientale Roma, 90 (Rome: Istituto italiano per l'Africa e l'Oriente, 2000), iii
Koizumi Yoshihide, ‘Study on the Portable Shrines in Northwest India’, Proceedings of the Tokyo National Museum, 35, (2000), fig. 43
Taddei, Maurizio, ‘Some Reflections on the Formation of the Buddha Image: Keynote Address’, Ellen M. Raven, ed., Proceedings of the Fifteenth International Conference of the European Association of South Asian Archaeologists, held at the Universiteit Leiden, 5-9 (Groningen: Egbert Forsten, 2008), pp. 3-4, illus. p. 5 fig. 1.3
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.
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