Discover exquisite embroideries, dyed silk and velvet panels, tapestries, and appliqué works
‘From the thickest of satins, plain or decorated with designs in brocade, to the most gossamer-like gauzes, every combination of silk and gold thread has been carried to perfection…’
(Sir Rutherford Alcock, Art and Art Industries of Japan, 1878)
In the mid-1850s, Japan was forced by the Western nations to open its doors to the outside world after more than 200 years of self-imposed isolation. The opening of Japan led to a fascination in the West for all things Japanese, known as Japonisme. During this period of Japan’s history, known as the Meiji era (1868-1912), Japanese prints, ceramics, metalwork, and lacquerware became hugely fashionable in the West.
Also enormously popular at the time, but little known today, were non-costume Japanese textiles that were made specifically for the Western market as art objects or for interior decoration. These exquisite embroideries, dyed silk and velvet panels, tapestries, and appliqué works became some of Japan’s best-known export items. No fashionable Victorian home was without its Japanese drapes and hangings. They were also displayed at international exhibitions, and presented as diplomatic gifts from the Japanese imperial household and government.
The textiles in this exhibition are mostly drawn from the newly-acquired collection of the Kiyomizu Sannenzaka Museum in Kyoto. Pieced together from around the world, this outstanding collection has never been displayed before. These textiles are enhanced with additional objects from private collections and the Ashmolean’s own holdings.
Eastern Art Online presents an online version of Threads of Silk and Gold to provide a taste of the exhibition on display in the Ashmolean's Special Exhibitions Galleries. It enables visitors to browse and search all exhibition objects and their high-quality zoomable images online.
A fully illustrated catalogue of the exhibition is also available to purchase from the exhibition shop, or online here.