Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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Ascetics making music, illustrating the musical mode Kedara Raga

  • loan
  • Description

    The musical mode Kedara is visualised as two yogis or ascetics making music within a small pavilion. Seated on a leopard skin, a traditional seat of yogis who have mastered the temptations of the sensual world, the vina player improvises a raga, gazing with concentration at his companion who beats the tala or rhythmic cycle with cymbals.

  • Details

    Series
    Garland of Ragas
    Associated place
    AsiaIndianorth-west IndiaPunjab HillsHimachal Pradesh Arki (probable place of creation)
    Date
    late 17th century
    Material and technique
    gouache on paper
    Dimensions
    frame 29.6 x 26.2 x 1.5 cm (height x width x depth)
    painting 21.2 x 18.2 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Lent by Howard Hodgkin.
    Accession no.
    LI118.87
  • Further reading

    Oxford: Ashmolean Museum, 2nd February-22nd April 2012, Visions of Mughal India: The Collection of Howard Hodgkin, Andrew Topsfield, ed. (Oxford: Ashmolean Museum, 2012), no. 59 on p. 142, pp. 18 & 19, illus. p. 143

Glossary

Raga

  • Raga

    Raga (feminine ragini) are musical modes, often represented by compositions of ladies, lovers, warriors, animals or gods, in series of Ragamala ('Garland of Ragas') paintings, a very popular artistic genre in north India and the Deccan c. 1500 - 1800.

Past Exhibition

see (1)

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

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